In her debut graphic novel, Home Bound, the Tel Aviv-based illustrator explores the complex, fragile nature of belonging via a word-free odyssey in which the visual language speaks for itself.
Maya Ish-Shalom is an illustrator from Tel-Aviv, Israel, who's known for crafting digital and hand-drawn illustrations for books, brands, ad campaigns, animations and publications including the New York Times, FT and Washington Post.
She has just released her first graphic novel, a deeply intimate—and obviously timely— exploration of displacement, identity and the elusive concept of belonging.
Home Bound is published by Salomon & Daughters, a small independent publishing house dedicated to publishing visual books for adults, including graphic novels, comics, visual poetics and picture books.
Challengingly, each of its 160 pages relies on pictures alone to convey the story. "Home Bound is a silent book that tells about the story of a woman and her suitcase getting off a train searching for a place to call home," Maya explains.
"The narrative unfolds in a drawn world that shifts between surrealism and dystopia, fairytale and horror, and between futurism and naturalism, portraying both an external and internal journey toward home."
For Maya, this story represents not only a physical search for a place to settle but also a deep exploration of belonging, safety and connection.
"The book emerged from my own experience of searching for a place to belong," she says. "After living in New York for seven years, feeling somewhat between worlds, I returned three years ago to my homeland, Israel, to create a renewed home for myself and my family."
The return wasn't a simple matter, though. "It raised questions about identity and belonging, what makes a place feel like home, and why some places feel comforting while others feel alien," she explains.
Maya, a graduate of Bezalel Academy of Arts and Design in Jerusalem, brings her considerable editorial illustration experience to bear on this intensely personal project. Her visual language is both precise and dreamlike, reflecting her own experiences of living between worlds.
This internal landscape becomes external in Home Bound, where each environment the protagonist encounters represents a psychological state rather than a mere geographical location.
Technically remarkable and emotionally profound, Home Bound establishes Maya as a significant voice in contemporary graphic storytelling.
Her ability to communicate complex emotional terrains through pure visual narrative marks her as an artist of considerable depth and sophistication.
Overall, the book is not just a personal story but a universal meditation on human movement, searching, and the perpetual negotiation of belonging in an increasingly fragmented world.
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